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The 24

Part of the York Concerts 2022/2023

Add to my Calendar 18-11-2022 19:30 18-11-2022 21:30 36 The 24 To start the year Spanish, Flemish, German and Finnish masterworks from across the centuries. But the concert’s frame is of notable settings of English texts. Joanna Marsh’s heart-moving setting of Irish poet John F. Deane embodies a way to live in a difficult world, while Cornysh sets his controversial late fifteenth-century contemporary John Skelton in an unusual setting, imagining the words of Christ on the cross. ‘My feet and handes sore,Thy sturdy nailes tore,What might I suffer moreThan I have done,O man, for thee?’(A fifteenth-century poem, attributed to John Skelton) Sir Jack Lyons Concert Hall, York DD/MM/YYYY

Details

Sir Jack Lyons Concert Hall
University of York
York
YO10 5DD
England

Programme

William Cornysh – Woefully Array’d
Orlandus Lassus – Timor et Tremor
Tomas Luis de Victoria – Alma Redemptoris Mater
William Byrd – Attolite Portas
Johann Sebastian Bach – Der Geist hilft unser Schwachheit auf, BWV 226
Thea Musgrave – On the Underground set no.2 (The Strange & the Exotic)
Joanna Marsh – The World is Charged (2021)

Performers

Robert Hollingworth – Conductor

The 24

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Leon McCawley

The Fairly Relentless Fitkins

Gould Piano Trio

Ulrica Dúo

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The Swingles – Bach and Beyond

The Chimera Ensemble

Ensemble intercontemporain

Roderick Williams

Ailish Tynan

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Disrupted Human: REBOOT

University Chamber Orchestra

University Symphony Orchestra

Susanna – Baudelaire & Piano

Consone Quartet & Emily Worthington

University Baroque Ensemble

Quatuor Diotima & Joseph Houston

Programme Note

To start the year Spanish, Flemish, German and Finnish masterworks from across the centuries. But the concert’s frame is of notable settings of English texts. Joanna Marsh’s heart-moving setting of Irish poet John F. Deane embodies a way to live in a difficult world, while Cornysh sets his controversial late fifteenth-century contemporary John Skelton in an unusual setting, imagining the words of Christ on the cross.

‘My feet and handes sore,
Thy sturdy nailes tore,
What might I suffer more
Than I have done,
O man, for thee?’
(A fifteenth-century poem, attributed to John Skelton)

The 24

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