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Stoke Newington Early Music Festival: Baroque Cello Jonathan Rees Darkness & Light, Crucifixion & Resurrection, Despair & Joy
Jonathan Rees plays J.S. Bach’s C minor and D major suites on four-string and five-string cellos.
Part of the Stoke Newington Early Music Festival 2017
Add to my Calendar 16-07-2017 15:30 16-07-2017 17:30 36 Stoke Newington Early Music Festival: Baroque Cello Jonathan Rees Darkness & Light, Crucifixion & Resurrection, Despair & Joy The last two suites in his set of six for solo cello, J.S. Bach explores the great expressive potential of altering the cello from its normal 4-string tuning. Writen for a cello with the a string tuned down a tone, the dark sonorities and tortured chromatic language of the fifth cello suite in c minor evoke the desolation of Bach's St John and Matthew Passions. By contrast, the sixth suite, written for a five-string cello with a top e string, is a transcendent expression of light and joy which displays the most florid, improvisatory writing to be found in any of the solo suites for cello. The Old Church, London DD/MM/YYYYDetails
The Old Church
Clissold Park
Stoke Newington
London
N16 0JR
England
Programme
Johann Sebastian Bach – Cello Suite no.5 in C minor, BWV 1011
Johann Sebastian Bach – Cello Suite no.6 in D major, BWV 1012
Performers
Jonathan Rees – cello
Other concerts in this Festival
Programme Note
The last two suites in his set of six for solo cello, J.S. Bach explores the great expressive potential of altering the cello from its normal 4-string tuning. Writen for a cello with the a string tuned down a tone, the dark sonorities and tortured chromatic language of the fifth cello suite in c minor evoke the desolation of Bach's St John and Matthew Passions. By contrast, the sixth suite, written for a five-string cello with a top e string, is a transcendent expression of light and joy which displays the most florid, improvisatory writing to be found in any of the solo suites for cello.
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