Your events at Classical Events
Search concerts
Echéa Quartet
string quartets by Schubert, Haydn and Beethoven
Part of the Wallingford Chamber Music 2022 Season
Add to my Calendar 30-07-2022 20:00 30-07-2022 22:00 36 Echéa Quartet The Echéa Quartet was formed in 2017 at the Royal Academy of Music, London, and has rapidly established a reputation as an outstanding young ensemble, winning the Royal Overseas League chamber music competition 2021 and several other prizes. They have performed at international festivals and appeared on BBC Radio 3. Schubert’s Quartettsatz was written as the first movement of a planned quartet, which remained unfinished. Haydn’s six string quartets, op. 20, represent a key milestone in the history of the form; here Haydn established the concept of four equal voices in conversation, and developed techniques and structures that were to define the string quartet for the next 200 years. Beethoven and Brahms both studied the score of these works in detail. Beethoven’s three ‘Rasumovsky’ quartets, op. 59, were commissioned by the Russian ambassador in Vienna, and each includes a ‘Russian’ theme. The set marks another milestone: here Beethoven takes the quartet form to a whole new level of intensity, virtuosity and profundity. St Mary-le-More Church, Wallingford DD/MM/YYYYDetails
St Mary-le-More Church
Market Place
Wallingford
Oxfordshire
OX10 0EG
England
Programme
Franz Schubert – Quartetsatz in C minor, D.703
Joseph Haydn – String Quartet no.25 in C major, Op.20 no.2, Hob III:32
Ludwig van Beethoven – String Quartet in F major 'Razumovsky', Op.59 no.1
Performers
Echea String Quartet
Other concerts in this Season
Programme Note
The Echéa Quartet was formed in 2017 at the Royal Academy of Music, London, and has rapidly established a reputation as an outstanding young ensemble, winning the Royal Overseas League chamber music competition 2021 and several other prizes. They have performed at international festivals and appeared on BBC Radio 3.
Schubert’s Quartettsatz was written as the first movement of a planned quartet, which remained unfinished.
Haydn’s six string quartets, op. 20, represent a key milestone in the history of the form; here Haydn established the concept of four equal voices in conversation, and developed techniques and structures that were to define the string quartet for the next 200 years. Beethoven and Brahms both studied the score of these works in detail.
Beethoven’s three ‘Rasumovsky’ quartets, op. 59, were commissioned by the Russian ambassador in Vienna, and each includes a ‘Russian’ theme. The set marks another milestone: here Beethoven takes the quartet form to a whole new level of intensity, virtuosity and profundity.
