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Chanson, frottola & villancico, with Musicke in the Ayre

Early 16th Century songs to the lute & vihuela

Add to my Calendar 12-07-2018 18:30 12-07-2018 20:30 36 Chanson, frottola & villancico, with Musicke in the Ayre Musicke in the Ayre continue their season of early music concerts in the Chapel with a recital of very early repertoire for voice and plucked strings. Din Ghani will use lute and its Spanish counterpart, the vihuela (both made by him) to accompany soprano Carmel Edwards in music originally printed in France, Italy and Spain in the infancy of music publishing, during the first half of the 16th century. This is music marked by its immediacy, and its freshness in spite of its age. The ear will be drawn in by the variations in idiom and style across the three countries, with charming chansons from France, frolicsome frottole from Italy, and pensive villancicos from Spain. Museum of Bath Architecture, Bath DD/MM/YYYY

Details

Museum of Bath Architecture
Countess of Huntington's Chapel
The Paragon
Bath
Somerset
BA1 5NA
England

Programme

Josquin Desprez – In te Domine speravi
Claudin de Sermisy – Tant que vivray
Claudin de Sermisy – D'ou vient cela
Claudin de Sermisy – Il me suffit
Josquin Desprez – Mille regretz
Luys de Narváez – Cancion del Emperador
Luis Milán – Falai minha amor
Alonso Mudarra – Triste estava el rey David
Miguel de Fuenllana – Con que la lavare
Diego Pisador – Si la noche hace oscura
Anonymous – Al alba venid
Bartolomeo Tromboncino – Ostiato vo' seguire
Marchetto Cara – Non e tempo d'aspettare
Marchetto Cara – Io non compro

Performers

Carmel Edwards – soprano
Din Ghani – lute

Musicke in the Ayre

Programme Note

Musicke in the Ayre continue their season of early music concerts in the Chapel with a recital of very early repertoire for voice and plucked strings.

Din Ghani will use lute and its Spanish counterpart, the vihuela (both made by him) to accompany soprano Carmel Edwards in music originally printed in France, Italy and Spain in the infancy of music publishing, during the first half of the 16th century. This is music marked by its immediacy, and its freshness in spite of its age. The ear will be drawn in by the variations in idiom and style across the three countries, with charming chansons from France, frolicsome frottole from Italy, and pensive villancicos from Spain.

Carmel and Din in the Countess of Huntingdon's Chapel

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